HupaFILM

V produkciji

Kratki dokumentarno eksperimentalni film

Režija in scenarij: Miroslav Mandić
Producentka: Tina Glavič Novak

Koprodukcija

Kratki igrani glasbeni film, 13′, 2021

Tri čarovnice, Zgodbarka, Piratka in Rimarka se srečajo v hiši na obrobju gozda in pijejo magične napoje. Ko zagrmi, se Zgodbarka in Piratka spomnita na botra Mračnjaka, mračnjaka Divjaka in Malega mračnjaka, ki se nekoč prišli v njun kraj in iskali uteho. Našli so jo v vinu, o čemer sta čarovnici spesnili porogljivo pesem. Medtem, ko jo prepevajo, se tudi same vse bolj omamljajo z napoji.

Documentary film, 50′, 2020

“When do you explain to your child s.he is a refugee?”

Seeing El Aaiun is a documentary film that takes us to the far West Algerian desert, into the place where over 180.000 Sahrawi people were given refuge, after most of their territory in Western Sahara has been occupied by Morocco. While the older generation of Sahrawi still remembers the year 1975 when they came into this land, the younger generation looks into the future that is impossible to foreseen. The documentary film was made in cooperation with two recognised Slovenian photographers Arne Hodalič and Katja Bidovec, and directed by Erik Valenčič, a long time Slovenian journalist and filmmaker.

30′, 2019

Domine is a fiction short, made within the Hupa film workshop. The group of young participant decided to bring out the topic of peer violence. The film will be distributed to schools and other educational institutions with the aim to detabooise the hidden dynamic of behaviour that might seem innocent, but is in fact damaging.

Koprodukcija

12′, 2018

»V tišini noči in ritmu narave, odhaja eno življenje, da bi se rešila druga.« Oliver Sertić

Dokumentarna miniaturka o empatiji in minevanju.

1′, 2018

“While the anthem plays, the razor wires are bleeding.”

Disharmony is a series of one-minute films in which the author presents his critical views on the negative consequences of European xenophobia.

Co-production

12′, 2017

A short experimental film lingers on a thin border between the real and the imaginary. Through the observation of the inner monologue, it explores the sense of loneliness and reflects the symptoms of social anxiety. The film methodically interferes with the means of psycho-drama, which helps it to discover paradoxical acts that shake everyday life and manifest as surreal poetic dreams.

23’55”, 2016

“A lonely oak grew on the hill, and they cut it down (Fuck them).”

The short musical documentary about Ivan Volarič – Feo is the artist’s memorial. It is based on a collage of film scenes, performances, works of art, and the testimonies of people who shared their artistic path with Feo.

29’05”, 2016

When the refugees reach the shores of European Union the prospect of hope soon turns into despair.

In August 2015 Toni Poljanec and Tina Glavič Novak headed to Lesbos where they collected interviews with refugees who have endured the traumatic ordeal of travelling from Turkey on overcrowded inflatable boats. Their new reality becomes overcrowded and poorly maintained refugee camp. The dreams of a promised land have never seemed to be further away.

5’34”, 2010

“Got your face booked?.”

While the society became interconnected and exposed, the individual remained alone, anonymous and…addicted.

Films workshop

34’10”, 2010

“The reality is a creation of your mind.”

The bitter smile is a result of a film workshop that took place in the main Slovenian prison Dob. Thirteen prisoners contemplate on the concepts of time, freedom, crime, punishment and reintegration. Together with participants the author recreated their confessions into a parodic docudrama, that drifts from the bright fantasy, to the unpleasant reality.

53′, 2009

“After I graduate I want to do something culturological.”

From the point of view of hard core natural scientist culturology is simply meaningless. For utilitarians, it is a pile of mumbo jumbo. Even for mainstream social scientists it is neither promising nor fashionable. Students of culturology are wandering how to benefit from their graduate degrees. Well, some of them don’t even wander, they just find themselves waiting in the unemployment office. The documentary film explores the fuzzy identity of culturology, its place in science and employment market and captures the zeitgeist of a certain era of the Faculty of Social Science in Ljubljana.